| Oscars |
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| 1969 Oscar - Best Adapted Screenplay |
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| Midnight Cowboy* |
Waldo Salt |
| Anne of the Thousand Days |
John Hale, Bridget Boland, Richard Sokolove |
| Goodbye, Columbus |
Arnold Schulman |
| They Shoot Horses, Don't They? |
James Poe, Robert E. Thompson |
| Z |
Jorge Semprun, Costa-Gavras |
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| 1968 Oscar - Best Screenplay |
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| The Producers* |
Mel Brooks |
| 2001: A Space Odyssey |
Stanley Kubrick, Arthur C. Clarke |
| La Battaglia di Algeri |
Franco Solinas, Gillo Pontecorvo |
| Faces |
John Cassavetes |
| Hot Millions |
Ira Wallach, Peter Ustinov |
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| 1968 Oscar - Best Adapted Screenplay |
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| The Lion in Winter* |
James Goldman |
| The Odd Couple |
Neil Simon |
| Oliver! |
Vernon Harris |
| Rachel, Rachel |
Stewart Stern |
| Rosemary's Baby |
Roman Polanski |
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| 1967 Oscar - Best Screenplay |
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| Guess Who's Coming to Dinner* |
William Rose |
| Bonnie and Clyde |
David Newman, Robert Benton |
| Divorce American Style |
Robert Kaufman, Norman Lear |
| La Guerre est finie |
Jorge Semprum |
| Two for the Road |
Frederic Raphael |
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| 1967 Oscar - Best Adapted Screenplay |
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| In the Heat of the Night* |
Stirling Silliphant |
| Cool Hand Luke |
Donn Pearce, Frank Pierson |
| The Graduate |
Calder Willingham, Buck Henry |
| In Cold Blood |
Richard Brooks |
| Ulysses |
Joseph Strick, Fred Haines |
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| 1966 Oscar - Best Screenplay |
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| Un homme et une femme* |
Claude Lelouch, Pierre Uytterhoeven |
| Blowup |
Michelangelo Antonioni, Tonino Guerra, Edward Bond |
| The Fortune Cookie |
Billy Wilder, I.A.L. Diamond |
| Khartoum |
Robert Ardrey |
| The Naked Prey |
Clint Johnston, Don Peters |
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| 1966 Oscar - Best Adapted Screenplay |
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| A Man for All Seasons* |
Robert Bolt |
| Alfie |
Bill Naughton |
| The Professionals |
Richard Brooks |
| The Russians Are Coming, the Russians Are Coming |
William Rose |
| Who's Afraid of Virginia Woolf? |
Ernest Lehman |
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| 1965 Oscar - Best Screenplay |
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| Darling* |
Frederic Raphael |
| Casanova '70 |
Agenore Incrocci, Furio Scarpelli, Mario Monicelli, Tonino Guerra, Giorgio Salvioni, Suso Cecchi d'Amico |
| Les Parapluies de Cherbourg |
Jacques Demy |
| Those Magnificent Men in Their Flying Machines, or How I Flew from London to Paris in 25 hours 11 minutes |
Jack Davies, Ken Annakin |
| The Train |
Franklin Coen, Frank Davis |
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| 1965 Oscar - Best Adapted Screenplay |
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| Doctor Zhivago* |
Robert Bolt |
| Cat Ballou |
Walter Newman, Frank Pierson |
| The Collector |
Stanley Mann, John Kohn |
| Ship of Fools |
Abby Mann |
| A Thousand Clowns |
Herb Gardner |
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| 1964 Oscar - Best Screenplay |
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| Father Goose* |
S.H. Barnett, Peter Stone, Frank Tarloff |
| I Compagni |
Agenore Incrocci, Furio Scarpelli, Mario Monicelli |
| A Hard Day's Night |
Alun Owen |
| L' Homme de Rio |
Jean-Paul Rappeneau, Ariane Mnouchkine, Daniel Boulanger, Philippe de Broca |
| One Potato, Two Potato |
Orville H. Hampton, Raphael Hayes |
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| 1964 Oscar - Best Adapted Screenplay |
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| Becket* |
Edward Anhalt |
| Alexis Zorbas |
Michael Cacoyannis |
| Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb |
Stanley Kubrick, Peter George, Terry Southern |
| Mary Poppins |
Bill Walsh, Don DaGradi |
| My Fair Lady |
Alan Jay Lerner |
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| 1963 Oscar - Best Screenplay |
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| How the West Was Won* |
James R. Webb |
| 8 1/2 |
Federico Fellini, Ennio Flaiano, Tullio Pinelli, Brunello Rondi |
| America, America |
Elia Kazan |
| Love with the Proper Stranger |
Arnold Schulman |
| Le Quattro giornate di Napoli |
Pasquale Festa Campanile, Massimo Franciosa, Nanni Loy, Vasco Pratolini, Carlo Bernari |
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| 1963 Oscar - Best Adapted Screenplay |
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| Tom Jones* |
John Osborne |
| Captain Newman, M.D. |
Richard L. Breen, Phoebe Ephron, Henry Ephron |
| Les Dimanches de ville d'Avray |
Serge Bourguignon, Antoine Tudal |
| Hud |
Irving Ravetch, Harriet Frank Jr. |
| Lilies of the Field |
James Poe |
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| 1962 Oscar - Best Screenplay |
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| Divorzio all'italiana* |
Ennio De Concini, Alfredo Giannetti, Pietro Germi |
| L' Annee derniere a Marienbad |
Alain Robbe-Grillet |
| Freud |
Charles Kaufman, Wolfgang Reinhardt |
| Sasom i en spegel |
Ingmar Bergman |
| That Touch of Mink |
Stanley Shapiro, Nate Monaster |
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| 1962 Oscar - Best Adapted Screenplay |
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| To Kill a Mockingbird* |
Horton Foote |
| David and Lisa |
Eleanor Perry |
| Lawrence of Arabia |
Robert Bolt |
| Lolita |
Vladimir Nabokov |
| The Miracle Worker |
William Gibson |
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| 1961 Oscar - Best Screenplay |
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| Splendor in the Grass* |
William Inge |
| Ballada o soldate |
Valentin Yezhov, Grigori Chukhraj |
| La Dolce vita |
Federico Fellini, Tullio Pinelli, Ennio Flaiano, Brunello Rondi |
| Il Generale Della Rovere |
Sergio Amidei, Diego Fabbri, Indro Montanelli |
| Lover Come Back |
Stanley Shapiro, Paul Henning |
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| 1961 Oscar - Best Adapted Screenplay |
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| Judgment at Nuremberg* |
Abby Mann |
| Breakfast at Tiffany's |
George Axelrod |
| The Guns of Navarone |
Carl Foreman |
| The Hustler |
Sidney Carroll, Robert Rossen |
| West Side Story |
Ernest Lehman |
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| 1960 Oscar - Best Screenplay |
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| The Apartment* |
Billy Wilder, I.A.L. Diamond |
| The Angry Silence |
Richard Gregson, Michael Craig, Bryan Forbes |
| The Facts of Life |
Norman Panama, Melvin Frank |
| Hiroshima mon amour |
Marguerite Duras |
| Pote tin Kyriaki |
Jules Dassin |
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| 1960 Oscar - Best Adapted Screenplay |
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| Elmer Gantry* |
Richard Brooks |
| Inherit the Wind |
Nedrick Young, Harold Jacob Smith |
| Sons and Lovers |
Gavin Lambert, T.E.B. Clarke |
| The Sundowners |
Isobel Lennart |
| Tunes of Glory |
James Kennaway |
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| 1959 Oscar - Best Screenplay |
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| Pillow Talk* |
Russell Rouse, Clarence Greene, Stanley Shapiro, Maurice Richlin |
| North by Northwest |
Ernest Lehman |
| Operation Petticoat |
Paul King, Joseph Stone, Stanley Shapiro, Maurice Richlin |
| Les Quatre cents coups |
Francois Truffaut, Marcel Moussy |
| Smultronstallet |
Ingmar Bergman |
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| 1959 Oscar - Best Adapted Screenplay |
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| Room at the Top* |
Neil Paterson |
| Anatomy of a Murder |
Wendell Mayes |
| Ben-Hur |
Karl Tunberg |
| The Nun's Story |
Robert Anderson |
| Some Like It Hot |
Billy Wilder, I.A.L. Diamond |
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| 1958 Oscar - Best Screenplay |
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| The Defiant Ones* |
Nedrick Young, Harold Jacob Smith |
| The Goddess |
Paddy Chayefsky |
| Houseboat |
Melville Shavelson, Jack Rose |
| The Sheepman |
William Bowers, James Edward Grant |
| Teacher's Pet |
Fay Kanin, Michael Kanin |
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| 1958 Oscar - Best Adapted Screenplay |
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| Gigi* |
Alan Jay Lerner |
| Cat on a Hot Tin Roof |
Richard Brooks, James Poe |
| The Horse's Mouth |
Alec Guinness |
| I Want to Live! |
Nelson Gidding, Don Mankiewicz |
| Separate Tables |
Terence Rattigan, John Gay |
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| 1957 Oscar - Best Screenplay |
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| Designing Woman* |
George Wells |
| Funny Face |
Leonard Gershe |
| Man of a Thousand Faces |
Ralph Wheelwright, R. Wright Campbell, Ivan Goff, Ben Roberts |
| The Tin Star |
Barney Slater, Joel Kane, Dudley Nichols |
| I Vetelloni |
Federico Fellini, Ennio Flaiano, Tullio Pinelli |
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| 1957 Oscar - Best Adapted Screenplay |
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| The Bridge on the River Kwai* |
Pierre Boulle, Carl Foreman, Michael Wilson |
| 12 Angry Men |
Reginald Rose |
| Heaven Knows, Mr. Allison |
John Lee Mahin, John Huston |
| Peyton Place |
John Michael Hayes |
| Sayonara |
Paul Osborn |
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